Saturday, October 15, 2011

Art and the Economy

We had a steady flow of people during the three hours of our Art Happening. We were happy with how our art looked in a home with neutral wall colors and enjoyed receiving feedback on our new work. 
I was hoping to move out a lot of my remaining "early works" at very discounted prices but didn't think I'd sell any of my 2011 at gallery prices. To my surprise I sold one of my new pieces and only one discounted piece––to my stepdaughter (Thanks Amy)! The economy seems to have everyone holding tight and not making "discretionary" purchases. I should have put up a little Christmas tree to make people think of perhaps giving a unique holiday gift! So, I share with you some scenes from the event and two JPGs (below) showing the sale art (click to enlarge). If anyone stopping by my blog is interested in seeing one of these as a larger image, along with the size information, let me know!

Monday, October 3, 2011

Art ideas and experiences






We went to Chicago last weekend and enjoyed spending time at the Elmhurst Art Museum, the Museum of Contemporary Art and the Chicago Art Institute. It's always so inspiring to see great works of art up close and feel the ideas percolating.


This weekend I had time to work on a 9x12 abstract using shredded pieces of nature images and start preparing for an "Art Happening" we're staging on the 9th at a friend's Victorian home. He has it for sale and has a number of empty rooms, so we're going to put our art in 4 rooms of the house and have invited people to see the art and tour the house! My husband just finished an alabaster sculpture that will have its debut that day. I plan to hang my 2011 work on the main level, my 2010 work upstairs and also have about 40 older works marked at SALE prices hoping to clear out my art storage area.

Sunday, September 18, 2011

Bold color palette!

After making the two small abstracts last week, I decided to make an 8" x 10". In contemplating the blank panel, I got to thinking about all of the nice art papers I had NOT been using since they didn't mesh with my current mode of making landscapes. I pulled out a stack of papers and fanned out colors that would work together to make a "field of color" when cut into strips. I went back to the pieces that were leftover from the train graffiti piece I made this summer (see the July 20th posting) to pull some of the red boxcar pieces into the composition. I realized all boxcars have text on them saying CLOSE AND LOCK DOORS BEFORE MOVING CAR and I had two red strips with the first part of the phrase and two green strips that held a variation of the phrase (it instructs to lock BOTH DOORS). I included those in the color fields along with strips of the ridged car sides and some green and blue graffiti (you can see those details if you click on the image to enlarge it). Some of the papers have metallic gold in them, so between that, the abstracted train imagery, the bits of text and the bold color, this piece is really jumping! I'm calling it "Moving Car" -- a direct reference to the train text, but also conjuring up images from a moving train or auto.

Sunday, September 11, 2011

Bigger and Smaller

I usually work from photos I’ve taken, but when a friend sent me a photo from her hike to Trout Lake in Yellowstone National Park I immediately saw possibilities for a new collage. I loved the reflections in the water and the color range. With her permission, I made three digital alterations of her photo, cut those into strips and layered them together with art papers to create this 16"W x 12"H work. The title "I've Never Been There" can be taken as a straight forward admission by the artist that I’ve never been to this place, or it can be more of an implied wish ... I’ve never been there, but I’d like to be sitting by the lake’s edge contemplating the reflection on the water as it ripples toward me.



Today I decided to make a couple 6" x 6" abstract pieces. In one, I used the leftover strips from the prints of the water in the above Trout Lake piece along with some old ledger papers. In the other, I used blue and yellowed ledger paper along with some metallic copper paper to make an abstracted cityscape. I've been wanting to make some new pieces for a couple area art center gift shops, so these might be the first installments toward that goal....

Monday, August 29, 2011

More Depth

I really love encaustic, but I haven't figured out how to combine fast-drying, oil-compatible layers of hot wax with my acrylic-compatible way of slowly building my imagery. I made a piece previously (see July 5th posting) using several layers of pouring medium and decided to take that to greater depths.

I have 12 layers in the 12" x 6" work above:
1 - base layer of strips cut from three different digital manipulations of a photo of Dailey Lake, Montana
2 - acrylic pouring medium
3 - acrylic pouring medium
4 - additional strips of imagery applied
5 - pouring medium
6 - pouring medium
7 - additional strips
8 - matte medium
9 - pouring medium
10 - pouring medium
11 - strips of imagery and matte medium
12 - strips of imagery and matte medium

The pouring medium is glossy and I don't like the glassy surface it leaves, so I cover it with matte medium. It doesn't absorb the medium like paper does, so I get much more visible brush strokes on the surface. If you click on the above image, I think you can see that this piece ended up with a definite feeling of depth, luminosity and texture.

Tuesday, August 23, 2011

Speaking Engagement

Rob and I were asked to speak to Women's Issues Network (WIN) on Monday about our art. It was an interesting process for me to try to summarize how I got to where I am in my art and how and why I make the things I make! I showed images of some of my earlier art as well as how the pieces changed after visiting Montana. Here's the outline I followed when I spoke:


One of the issues we as women face is—outside of our relationships with other people as wife, mother, daughter, co-worker—what makes US happy? What recharges our batteries? What makes us want to laugh with joy? Six years ago, I discovered that creating art was what did that for me. It puts me in a space without concern for time or to do lists or the latest headlines on the news. The more hours I can be in my art studio, the happier I am. So let me tell you about my passion.

My artwork in the beginning was more traditional collage, making compositions out of old photos, art papers, maps, Viewmaster reels, book pages, layering them with acrylic medium and sealing the final composition with another coat of acrylic medium. I was trying to evoke a sense of nostalgia or journey with these pieces.

Then in 2009, I went to visit a friend who had recently moved to Montana and she took me to Yellowstone National Park and through some of the many mountain ranges in Western Montana. I flipped out! I came home with hundreds of photographs and a desire to make art about this amazing place.

I wanted the art to be more than the photograph, so I started altering the photos digitally to have a more painterly feel, a scratched surface or enhanced light or color. Then I’d take prints of the altered photos and tear or cut segments from those variations to piece together a new scene.

As a result, the artwork becomes more of a recollection or glimpse of a place. Possibly looking like a painting or photo from a distance, then as you look closer you see the cuts or tears, and then even closer you might find bits of text or ledger paper or actual grass or pine needles as part of the surface. Most recently I’ve been shredding the prints by hand or with a paper shredder and building the composition out of lots and lots of strips of paper.

Rob and I have been to Montana three times since my initial visit. I love working with the photos we’ve taken, remembering the sounds, smells and feelings of being in nature. Through my art, I’m hoping to bring those feelings of peace, stillness, and joy to the viewer. When someone responds so strongly to my art that they want to purchase it and take it into their home, it’s an inexplicable feeling for me. I’ve been writing the word JOY on the surface before I start applying the imagery hoping that is what people will feel when they look at the work. We all need to find the JOY in our lives, and making art does that for me.

Monday, August 15, 2011

Dwell in Possibility

My friend Linda gave me a magnet for birthday with that statement on it -- "Dwell in Possibility." I've been trying to move in that direction -- of what is possible -- rather than setting limits on myself.

In that spirit, I approached a gallery in Park City, Utah, about gallery representation... and was turned down.

I contacted a gallery in Iowa and the owner expressed interest in both my work and Rob's; we met with her a couple weeks ago and now we both have work hanging at Campbell-Steele Gallery in Marion, a suburb of Cedar Rapids.

I uploaded images to the website of Xanadu Gallery in Scottsdale, Arizona, to apply as an online Studio Artist (they sell your work online, you ship it to the buyer, the gallery sends you 80% of the sales price; if your work sells they MIGHT put your work in their downtown Scottsdale gallery). I received notice I'd been juried in and my work was now "live" on their site... then the owner contacted me, said he really liked my work and asked if I could send him 8 - 10 pieces by November to put in his gallery!!! The above piece was the second I've made for the November shipment AND it will be in Xanadu's 2-page ad in the October issue of American Art Collector Magazine.

Continuing to make art and dwelling in possibilities....
:-D