I really love encaustic, but I haven't figured out how to combine fast-drying, oil-compatible layers of hot wax with my acrylic-compatible way of slowly building my imagery. I made a piece previously (see July 5th posting) using several layers of pouring medium and decided to take that to greater depths.
I have 12 layers in the 12" x 6" work above:
1 - base layer of strips cut from three different digital manipulations of a photo of Dailey Lake, Montana
2 - acrylic pouring medium
3 - acrylic pouring medium
4 - additional strips of imagery applied
5 - pouring medium
6 - pouring medium
7 - additional strips
8 - matte medium
9 - pouring medium
10 - pouring medium
11 - strips of imagery and matte medium
12 - strips of imagery and matte medium
The pouring medium is glossy and I don't like the glassy surface it leaves, so I cover it with matte medium. It doesn't absorb the medium like paper does, so I get much more visible brush strokes on the surface. If you click on the above image, I think you can see that this piece ended up with a definite feeling of depth, luminosity and texture.
Monday, August 29, 2011
Tuesday, August 23, 2011
Speaking Engagement
Rob and I were asked to speak to Women's Issues Network (WIN) on Monday about our art. It was an interesting process for me to try to summarize how I got to where I am in my art and how and why I make the things I make! I showed images of some of my earlier art as well as how the pieces changed after visiting Montana. Here's the outline I followed when I spoke:
One of the issues we as women face is—outside of our relationships with other people as wife, mother, daughter, co-worker—what makes US happy? What recharges our batteries? What makes us want to laugh with joy? Six years ago, I discovered that creating art was what did that for me. It puts me in a space without concern for time or to do lists or the latest headlines on the news. The more hours I can be in my art studio, the happier I am. So let me tell you about my passion.
My artwork in the beginning was more traditional collage, making compositions out of old photos, art papers, maps, Viewmaster reels, book pages, layering them with acrylic medium and sealing the final composition with another coat of acrylic medium. I was trying to evoke a sense of nostalgia or journey with these pieces.
Then in 2009, I went to visit a friend who had recently moved to Montana and she took me to Yellowstone National Park and through some of the many mountain ranges in Western Montana. I flipped out! I came home with hundreds of photographs and a desire to make art about this amazing place.
I wanted the art to be more than the photograph, so I started altering the photos digitally to have a more painterly feel, a scratched surface or enhanced light or color. Then I’d take prints of the altered photos and tear or cut segments from those variations to piece together a new scene.
As a result, the artwork becomes more of a recollection or glimpse of a place. Possibly looking like a painting or photo from a distance, then as you look closer you see the cuts or tears, and then even closer you might find bits of text or ledger paper or actual grass or pine needles as part of the surface. Most recently I’ve been shredding the prints by hand or with a paper shredder and building the composition out of lots and lots of strips of paper.
Rob and I have been to Montana three times since my initial visit. I love working with the photos we’ve taken, remembering the sounds, smells and feelings of being in nature. Through my art, I’m hoping to bring those feelings of peace, stillness, and joy to the viewer. When someone responds so strongly to my art that they want to purchase it and take it into their home, it’s an inexplicable feeling for me. I’ve been writing the word JOY on the surface before I start applying the imagery hoping that is what people will feel when they look at the work. We all need to find the JOY in our lives, and making art does that for me.
One of the issues we as women face is—outside of our relationships with other people as wife, mother, daughter, co-worker—what makes US happy? What recharges our batteries? What makes us want to laugh with joy? Six years ago, I discovered that creating art was what did that for me. It puts me in a space without concern for time or to do lists or the latest headlines on the news. The more hours I can be in my art studio, the happier I am. So let me tell you about my passion.My artwork in the beginning was more traditional collage, making compositions out of old photos, art papers, maps, Viewmaster reels, book pages, layering them with acrylic medium and sealing the final composition with another coat of acrylic medium. I was trying to evoke a sense of nostalgia or journey with these pieces.
Then in 2009, I went to visit a friend who had recently moved to Montana and she took me to Yellowstone National Park and through some of the many mountain ranges in Western Montana. I flipped out! I came home with hundreds of photographs and a desire to make art about this amazing place.
I wanted the art to be more than the photograph, so I started altering the photos digitally to have a more painterly feel, a scratched surface or enhanced light or color. Then I’d take prints of the altered photos and tear or cut segments from those variations to piece together a new scene.
As a result, the artwork becomes more of a recollection or glimpse of a place. Possibly looking like a painting or photo from a distance, then as you look closer you see the cuts or tears, and then even closer you might find bits of text or ledger paper or actual grass or pine needles as part of the surface. Most recently I’ve been shredding the prints by hand or with a paper shredder and building the composition out of lots and lots of strips of paper.
Rob and I have been to Montana three times since my initial visit. I love working with the photos we’ve taken, remembering the sounds, smells and feelings of being in nature. Through my art, I’m hoping to bring those feelings of peace, stillness, and joy to the viewer. When someone responds so strongly to my art that they want to purchase it and take it into their home, it’s an inexplicable feeling for me. I’ve been writing the word JOY on the surface before I start applying the imagery hoping that is what people will feel when they look at the work. We all need to find the JOY in our lives, and making art does that for me.
Monday, August 15, 2011
Dwell in Possibility
My friend Linda gave me a magnet for birthday with that statement on it -- "Dwell in Possibility." I've been trying to move in that direction -- of what is possible -- rather than setting limits on myself.
In that spirit, I approached a gallery in Park City, Utah, about gallery representation... and was turned down.
I contacted a gallery in Iowa and the owner expressed interest in both my work and Rob's; we met with her a couple weeks ago and now we both have work hanging at Campbell-Steele Gallery in Marion, a suburb of Cedar Rapids.
I uploaded images to the website of Xanadu Gallery in Scottsdale, Arizona, to apply as an online Studio Artist (they sell your work online, you ship it to the buyer, the gallery sends you 80% of the sales price; if your work sells they MIGHT put your work in their downtown Scottsdale gallery). I received notice I'd been juried in and my work was now "live" on their site... then the owner contacted me, said he really liked my work and asked if I could send him 8 - 10 pieces by November to put in his gallery!!! The above piece was the second I've made for the November shipment AND it will be in Xanadu's 2-page ad in the October issue of American Art Collector Magazine.
Continuing to make art and dwelling in possibilities....
:-D
In that spirit, I approached a gallery in Park City, Utah, about gallery representation... and was turned down.
I contacted a gallery in Iowa and the owner expressed interest in both my work and Rob's; we met with her a couple weeks ago and now we both have work hanging at Campbell-Steele Gallery in Marion, a suburb of Cedar Rapids.
I uploaded images to the website of Xanadu Gallery in Scottsdale, Arizona, to apply as an online Studio Artist (they sell your work online, you ship it to the buyer, the gallery sends you 80% of the sales price; if your work sells they MIGHT put your work in their downtown Scottsdale gallery). I received notice I'd been juried in and my work was now "live" on their site... then the owner contacted me, said he really liked my work and asked if I could send him 8 - 10 pieces by November to put in his gallery!!! The above piece was the second I've made for the November shipment AND it will be in Xanadu's 2-page ad in the October issue of American Art Collector Magazine.
Continuing to make art and dwelling in possibilities....
:-D
Sunday, July 31, 2011
Bigger
I was wondering if I could work bigger with the shredded idea by hand cutting wider strips so that the scale of the strips would increase as the canvas size went up. This 30" x 10" canvas was my test of that idea and I think it works fine. This opens up a lot of possibilities....
Saturday, July 23, 2011
Back to the mountains
This week I came back to my mountain photos from our trip west. I chose one showing the Tetons in clouds and decided to do the foreground in horizontal strips and the sky/mountains in vertical strips. The 6" x 6" piece I made a few weeks ago ("Snow Curtain" posted July 5th) was a trial run to see how horizontal and vertical might work together. This week's collage (named "Another Time, Another Place") is 12" x 12" so the scale of the shredded strips gives the work a different look, but I like how it turned out -- especially at the horizon line where the verticals overlap horizontals. (Click on the image to see that area better.)
Wednesday, July 20, 2011
Lotsa Trains!

At first I thought I'd need to take new photos that had the train cars all intact in the photo frame AND all with the same horizon line. Upon further reflection, I realized that might be too static, and having the center image be further back in space and the train cars cut off at the edges would give more of a feeling of movement. The piece is the product of both digital and physical manipulations of my photos. The three panels are fastened together by metal channel, giving a feeling of train cars coupled together.
My husband said, "It's still technically a triptych even though they are fastened together, right?" I replied, "Sure, remember all of those altar pieces from art history? They were called triptychs but they were hinged together. This is like an altarpiece for commerce." His eyes widened and he said, "That's a perfect title!" And so it is.
(Click on the images above to see the details a bit better.)
Monday, July 11, 2011
U-turn
So my last post was about going in a new direction...and then I go and revisit the torn paper method I used to employ! Partly I wanted to see how it felt to work that way again, and I needed a bit more variety in my pieces to take to meet with a gallery owner in Iowa. (With 16 pieces on display in a physician's office and 18 of my recent pieces now in Montana, I have mostly just the shredded works on hand.) So... it felt kind of odd to be tearing my manipulated photo prints and I didn't really like how it looked after I covered the 12"x9" panel with imagery. So, the next day I tore art papers and added them to the scene, covering any white edges of the torn imagery and lessening the details in the image. I like it much better now.
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